2. How do the lightsabers in the "Star Wars"
movies work?
Madonna - Die Another Day
I'm gonna wake up, yes and no
I'm gonna kiss some part of
I'm gonna keep this secret
I'm gonna close my body
Guess, die another day
Guess, die another day
Guess, die another day
Guess, die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
Analyze this
Analyze this
Analyze this ... this ... this ... this ...
I'm gonna break the cycle
I'm gonna shake up the system
I'm gonna destroy my ego
I'm gonna close my body now
I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go
For every sin I'll have to pay
I've come to work, I've come to play
I think I'll find another way
It's not my time to go
I'm gonna avoid the cliche
I'm gonna suspend my senses
I'm gonna delay my pleasure
I'm gonna close my body now
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I think I'll find another way
There's so much more to know
I guess I'll die another day
It's not my time to go
Uh
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
I guess I'll die another day
How do the lightsabers in the "Star Wars"
movies work?
Unfortunately, lightsabers are not
real. Like the Millennium Falcon and Yoda (and even Chitty
Chitty Bang Bang, for that matter), lightsabers are a special
effect that looks so real you actually believe they exist!
The technique used to create
the lightsaber effect is pretty straightforward, but tedious.
On the set, the actors use props composed of
handles that have aluminum rodsattached
to them, and these rods are the length of the lightsaber
"blade." The handles are plastic models and
the aluminum rods are painted red or green or blue. The actors
use these props as though they were lightsabers.
After the film is shot, it is taken
to the special effects department. The film is developednormally. In this film, the actors look like they are
fighting with painted broomsticks instead of lightsabers.
A special effects artist now has the job of making
those broomsticks look real. The artist looks at the
film frame by frame, and projects each frame
that contains a lightsaber onto a clear piece
of plastic (an animation cel). The special effects
artist draws the outline of each lightsaber blade in
the frame onto the cel. Then, for each frame, the artist paints
in the correct color for the blade using a bright cartoon
color. Eventually the artist has a stack of these cels,
one for each frame of the movie containing a lightsaber.
The cels are clear everywhere except where the lightsaber
blade is seen in each frame.
Now, a new piece of movie film is
shot. On this film, each animation cel is placed over
a black background and shot with a light diffuser
over the lens (this diffuser gives the lightsabers
the glow they have around the edges). If you
were to play this film in a projector, all you would see is
the lightsaber blades moving on a black background. Before
it is developed, however, the actual footage from the
movie is double-exposed onto this same film. The effect
is amazing -- the lightsabers look incredibly bright and real!
As movies move further into the digital
realm, the job of animating the lightsabers gets slightly
easier, but not much. In a digital world, each frame of the
movie is scanned into a computer at extremely high resolution
so that each frame can be manipulated on a computer screen.
To make the lightsabers look real, the special effects artist
looks at each frame on the computer screen, outlines the broomsticks,
colors the areas and diffuses them (frame by frame
by frame...). Instead of being done on a plastic cel, it is
all done on separate "cels" in the computer's memory
and then merged digitally. However, there is no
way to get around the fact that the animator must look
at each frame and outline the lightsaber blades one by one.
technique - технология create - создавать straightforward - простой tedious - скучный, утомительный the set - съемочная площадка props - бутафория handles - рукоятки rods - пруты, стержни attached - прикрепленные length - длина blade - лезвие, клинок
shot -
снят department - отдел developed
- проявляется normally
- как обычно
are fighting - дерутся broomsticks - метловища artist - художник looks - смотрит frame - кадр projects - проецирует contains - содержит clear - чистый, прозрачный an
animation cel
- анимационная пленка draws - рисует outline - контур cartoon - мультипликационный a stack - куча, много movie - фильм
film
- пленка is placed - помещается, кладется background - фон a light diffuser - рассеиватель света the lens - объектив glow - свечение the edges - края the actual footage - реальное изображение is double-exposed - повторно экспонируется
the digital realm - цифровой мир, королевство
at
extremely high resolution
- на чрезвычайно высоком разрешении screen - экран
areas - участки
memory - память is merged - совмещается, сливается get around - обойти
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